CFP deadline extended to 21st July

No abstract yet? No worries! We have extended the deadline to 21st July

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Historical Fictions/Identities - Call for Papers

From popular television ( The Tudors , Reign , Outlander , Vikings etc) to Booker-prize winners (Hilary Mantel’s Wolf Hall and Bring up the Bodies ), film ( The Handmaiden , The Young Victoria ), video games ( Assassin’s Creed franchise, Civilization The Legend of Sword and Fairy ) and more, historical fictions are a significant part of twenty-first century culture.   Contemporary audiences engage with the past as entertainment more than they engage with it through education. Historical fictions reveal more about the time in which they were produced than they do about the period that they represent. This symposium aims to explore the cultural work done around identities in the twenty-first century by fictionalised pasts. How do we make who we are now by re-making the past? Which identities are included and excluded from narratives of particular periods? What present identities are projected back into, for example, ancient Rome, the European Middle Ages, eighteenth-century J...
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Keynote: Chaucerian Voice in Modern and Contemporary Historical Fiction

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Professor Stephanie Trigg will deliver a keynote address on Friday 3rd. 'Chaucerian Voice in Modern and Contemporary Historical Fiction: From Anya Seton to Chaucer’s Twitter Feed' The world of Chaucerian fiction is a very expansive one. Chaucer sets the model for this expansiveness with his framed narrative collection, The Canterbury Tales , with its unfinished tales, its interrupted narratives and its radically truncated conclusion. Almost as soon as Chaucer died in 1400 his followers began writing more tales and narrative imitations, and this pattern has continued for over six hundred years. This paper examines a range of modern examples for the different ways they represent Chaucerian voice and character. It will range from the much-loved and very influential biography of Chaucer’s sister-in-law, Katherine Swynford, in Anya Seton’s Katherine (1954) through to two novels from Bruce Holsinger, A Burnable Book (2014) and The Invention of Fire (2015). It will also mo...
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Program and registration now open

The full program for Re/Making the Past is now available here . We received so many proposals for papers that we have extended the symposium over two days. The afternoon of Thursday 2 November will feature papers by several key practitioners and postgraduates, on Writing Historical Fictions. In the evening, acclaimed author Kate Forsyth will appear in a free public event . On Friday 3 November, the symposium continues with a full day of panels and keynotes on Historical Fictions & Identities. The symposium is free, including lunch and refreshments, but places are limited. Please register here.
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